All posts by Jason Fischer

Spec Fic and Fantasy Festival – SA Writers Centre

If you’re in Adelaide and are a fan of speculative fiction or fantasy writing, make sure you get along to the SA Writers Centre Spec Fic and Fantasy Festival. Yours truly shall be there with a bevy of talented folks, and it promises to be an absolute treat!

We’re going to deliver a bunch of great panels, live readings of our work, and workshops galore. I’m excited that such an event is being held in Adelaide, and tickled pink to be involved :-)


It’s time to crack out of your cryostasis and join us for one of the most spectacular Spec Fic and Fantasy Fests in the multiverse. Dock your Tardis, Delorean, heli cab or space ship at Level 2/187 Rundle Street, 7 and 8 May (unless it’s already the future, in which case… hurry! Go backwards…!)

A galaxy of stars including: Gillian Rubinstein, Sean Williams, Jason Fischer, Ben Chandler, DM Cornish, Lisa L Hannett, Tony Shillitoe, Jo Spurrier and Tehani Wessely will be creating an unforgettable atmosphere and two days of premium advice, learning, workshops and panels that will blow your flux capacitor and melt your chronoscope!

Bookings are essential. DOWNLOAD THE FULL PROGRAM HERE.



Well slap me with a fish and call me Gilgamesh, for my story “Defy the Grey Kings” from Beneath Ceaseless Skies has just picked up the Aurealis Award for Best Fantasy Novella. I am pleasantly shocked, and am pleased that my story has been so well received!

Many thanks to the other finalists and to the judges, whose workload seems to grow year by year. If you’re interested in reading this award-winning epistle, click ye here.

The full list of this year’s Aurealis Award winners can be found here. Huzzah!


BY THE LAWS OF CRAB AND WOMAN – new story now available at Review of Australian Fiction


For her heresy, Reft climbed up to the House of the Pale Daughters. The law dictated that she take the penitent’s path, so she stood barefoot and bleeding in the front courtyard, picking thorns and slivers of glass from her feet.

Reft held a crab on a leash, a juvenile almost up to her waist in height. Its shell was fresh after a recent moult, streaked with blue and orange. Like the other crabbers, Reft had fastened a platform to its back, drilling deep into the hardening shell. From now on, as the crab grew, the platform would grow, and by adulthood it would have entire buildings bristling from its back.

The inner door to the House opened, a thick slab of stone that turned easily on a pivot hinge. One old woman pushed it open with the tips of her fingers.    She was like a piece of driftwood in a robe, flinty eyes buried in a maze of scars.

“Reft the heretic,” she said. “You have come.”

Reft fussed nervously about the crab, unpacking the trunks and crates that she’d lashed firmly to its back. With the tip of a coral knife, she parted the wax seal around the lid of an amphora.

It was honey, gold and thick, filled right up to the brim.

“What does this get me?” Reft asked.

“Death,” the crone said.


This is the opening passage to my new story “By the Laws of Crab and Woman”, which is now available at the Review of Australian Fiction. I share this issue with the amazingly talented  Laura E Goodin, and her story Regent of the Tiny Queen is a joy to read! Check the issue out via the following link:

“Treasure of Light” now available over at Story City


You have discovered an ancient document, a clue leading to the lost treasures of Colonel William Light, surveyor and architect of Adelaide. Throughout the years, clues to the treasure’s location have been hidden in the foundation stones of several historical buildings, forgotten until now. With your archaeologist friend Rhonda, you set out to find Light’s treasure, but there’s a catch – the ruthless tomb-robber Percy Graves is hunting for it too, and he is hot on your heels. Will you find the treasure in time, or will it be stolen from under your nose?


My new story “Treasure of Light” is now available on the Story City app, and is available for the Adelaide Fringe Festival, with the aid of funding from Renewal SA. It’s a story with a difference – think of the old Choose Your Own Adventures, except instead of turning to a page to make a choice, you have to walk to a different location. The whole story is told through your phone or device, and comes complete with narration, artwork, and gorgeous music.

It’s written in the flavour of the “National Treasure” stories, and this story adventure is suitable for all ages to use.

Was a lot of fun to write this story – a lot of research went into this, as well as walking around the city to make sure everything works. If I’ve done my job right, you’ll have fun but you’ll also learn things about the city of Adelaide you might not have known before. There are two other stories set in Adelaide, make sure to check them out too!

Grab the app, and hit the streets during the Adelaide Fringe to find out!

Download the app now:



Writer: Jason Fischer –
Illustrator: Sands Gonzaga –
Music: Adam Richie –
Narration: Kevin Powe –



Rolling like a D6

It’s alive! Today issue #6 of Dimension6 has hit the internet, and it contains a trio of fun reads, including pieces by Louise Katz and Steve Cameron. My own contribution is the reprint of the lead novella from “Everything is a Graveyard”, a story by the same name.

The city of Adelaide is in ruins. Gangs of petrol-heads rule the roads, pumping out 70s tunes even as they fight off ferocious drop-bears…what’s not to like?

Now, you can read it for free, here and now! Just click on the following links:

Dimension6 Issue #6 in .epub format

Dimension6 Issue #6 in .mobi format


I only ask that if you enjoy this free heaping of science fiction that you consider purchasing the full collection of “Everything is a Graveyard”, available at Ticonderoga Publications. Hard copies can be purchased here, and an e-book is now available via Amazon or Smashwords.

Everything is an Update!

A couple of things worth noting. Firstly, have a sneaky peek at the cover of the next issue of Dimension6 magazine:


This hits the wilds on the 3/10, and amongst other things it contains a reprint of my novella “Everything is a Graveyard” from the collection of the same name. It’s a real treat to get a story into this new magazine, past issues have been a great read with some of the cream of Australian SF short story writers.

Speaking of “Everything is a Graveyard”, the good folks at Ticonderoga Publications have just re-released most of their backlist as e-books, so for the first time “Everything is a Graveyard” (the collection) is available to purchase for your favourite reading device.


“Dropbear, bogan, Torana. Our Aussie detectors are going off the charts!”

Try these links:

And also via Smashwords:

If you groove on hard-copy books, here’s how to order a physical copy:


Reviews roll in for Defy the Grey Kings

Now, if there’s anything an author likes, it’s reviews. We hunt them down like bloodhounds, scoffing down each morsel as we howl “they love me, they really love me!”


So some reviews are rolling in for my latest epistle “Defy the Grey Kings” (now available over at Beneath Ceaseless Skies). Bust out the crayolas and colour me tickled pink! When I read this first review, I actually lost my mind and cracked up laughing. Best reviewer ever!

TUSK ART 2 Daniel Watts 2012_NEW_NEW

(artwork by Daniel Watts, from the lamented Terra mag)

Any review called “If Babar Were a Bloodthirsty Death Machine” is bang on the money. This reviewer actually goes through and offers a detailed comparison of the Babar books with my own story, in which blood-thirsty elephants have enslaved humanity.

“Babar enjoys quiet strolls through the woods with friends, or relaxing in a hammock after a busy day. Ascaro, a respected and feared bull of an elephant, enjoys getting drunk on melon wine and murdering his human slaves by stomping on them until their bones are ground to dust or they’ve choked to death in the mud.”

“Neither Babar nor Fischer’s ‘Grey Kings’ aspire toward Nabakovian levels of character complexity, but what they offer instead are rich, imaginative worlds in which a conflict (e.g., Which bow-tie will Babar wear to the picnic? or: How will the half-crippled slave-warrior Ghost manage to stab a spear directly into his drunken master’s brainstem? etc.) is addressed by an invested, active character.”

OMFG.  Seriously, I love you FictionFeed. Keep on being rockstars. Rest of the best review ever can be found here -

Next up is a review from Tangent Online in which reviewer Joshua Berlow says:

“We’re not overwhelmed with the details of the elephant kingdom’s politics, history, religion, and whatever else. Instead, we’re given pertinent, interesting details regarding the life of these slaves and we get into gladiatorial action quickly. Ghost is selected to be Rothai, human slaves that fight atop their master elephant in battle. The elephants amuse themselves and determine hierarchy in these deadly tusk-to-tusk battles on Blood Meadow.”
“This story has cinematic potential as well, if somehow intelligent elephants and their battles could be portrayed effectively on film. Altogether a rousing and engaging story that redeems Beneath Ceaseless Skies#180.”
Full review here:

Next up is a review from Charles Payseur at Quick Sip Reviews, who offers a well-considered review of my story. He says:

“This is a much darker story, though one that deals with the harsh realities of slavery and torture and death. In some ways it is a difficult story to read, because it follows Ghost, a slave to elephants, as he suffers and kills for his master’s benefit and slowly sees everything around him rot and die. Raised to be of no value, he witnesses the cruelty of the elephants, how they treat their slaves, and dreams of the day when he can be free. His plan of action, though, does not go well. Not well at all. Again, it’s a rather difficult story to read at times, because it is very, very dark. Bleak. And I’m not entirely sure what to think of that. The world building is fine and interesting, the elephants quite terrifying antagonists with their size and cruelty. But then, the elephants become devils because they are seen as only evil, as cruel without anything really redeeming about them.”

“Again, I like many aspects of the story, and it is gritty and dark and brutal. And it does show how the cycle of violence continues, how slavery poisons people, makes them see the world in terms of master and slave without a way out, without thinking to take the system itself down. I like the message that slavery must be fought, and I hesitate to say that such fighting has to be nice or non-violent, but I do believe that it should be a struggle to eradicate slavery and not just changing who is on top and who on bottom. Still, a story worth grappling with, and I’m sure there are many who will have more fun with it than me.”

The full review can be read at this link:

Seriously, head over and read what the reviewers have to say about my story and others. Reviewing is a hard road to hoe, and when done well you can get a great feel for what an anthology or magazine is like before you put your dollars down. Whether the reviews are positive or critical, someone put down some serious time to read the piece and offer detailed commentary, and that makes them a legend in my book. I seriously love reviewers!


An update fit for an elephant!

Today, my fantasy story “Defy the Grey Kings” went live over at Beneath Ceaseless Skies. This is a new short story in the same setting as my infamous serialised novel Tusk, the world where iron-age elephants have enslaved humanity…


(Picture courtesy of Rhys James, from the late lamented Terra magazine)

“There are many ways to kill an elephant. When that mountain bears down on you, shaking the earth and screaming for your blood, show no fear.

Only without fear will you see the truth. They are quick, even draped in chain and iron, but you are quicker by a whisker. They fight like devils, but it only takes three people who know what they are doing to bring an elephant down.

They are afraid of you.

All elephants can die.”

To read the full story, visit the most excellent Beneath Ceaseless Skies via this link:


Do Androids Dream of Electric Tamsyn?

So, Google came up with a weird algorithm that allegedly mimics what an AI would dream about, or some such. You might have seen a bunch of pictures doing the rounds, where the original image has been rendered psychedelic by the new Deep Dream code.

It took a few days, but I fed the cover-art for Quiver through Deep Dream. Dreams play a very important role in this book, and it was interesting to see this end result:


Instead of zombies, it looks like a dog headed Tamsyn (with a creature living in her belly) is facing down some foes from a Hieronymous Bosch painting.  The clouds look like sinister business men, the beach looks like a cthulhian oil-slick, and her shoe looks like the curl of a millipede, or maybe a snake.

TRIPPY AS HELL. I recommend everyone use this thing for the lolz. Here is the original artwork, for your reference. Once again, huge thanks and all credit for this artwork go to Jason Paulos, artiste extraordinaire.

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